For the last couple of days I’ve been trying to make a recording of my story, ‘The Beast’, for Jeremy Balieus from Black Rider Press. I hate the sound of my voice. At work, I always get comments like, ‘Oh you sound dreadful. Are you sick?’ Or, ‘You should do phone sex.’ My piece is also lengthy for a spoken word reading; I can’t read the piece without stumbling over something.
On the other hand, I’ve had a win with DUSA Bookshops, convincing them to stock a whole bunch of Brows, so the citizens of Burwood, Warrnambool, and Geelong will no longer have to travel to Melbourne’s inner ‘burbs for a copy.
Speaking of Melbourne’s inner ‘burbs, the shit’s going down over the next couple of days. Geoff Lemon’s leaving us for South America, and tonight’s Wordplay will be his last one for a mesozoic era. If you haven’t been to Wordplay, it’s one of Melbourne’s best poetry, hip-hop, and spoken mic gigs. I went to Wordplay’s MWF gig and it showcased the likes of Nathan Curnow, Chris Wallace-Crabbe, Chloe Jackson, and Ben Ezra. The gig lives at the Dan O’Connell Hotel, so head down there around eight for a night of poetry action.
On Friday, Laura Smith’s poetry gig is happening at Caffe Sospeso and will feature Fiona Stuart, Susan Fealy and MC Deborah Vanderwerp. I saw Laura perform a couple of weeks ago at Dreaming Highways and liked her poetry, so I’ll try to swing by on my way home from The Bedroom Philosopher.
Yep, I am going to another Bedroom Philosopher giglet. Like that Spiderbait song, Justin Heazlewood is ‘fucken awesome’. I’ve been listening to his latest album, Brown & Orange; its seventh track has lines like ‘Jesus was an intruder on Big Brother’ and ‘Church attendances doubled, then tripled. People brought in signs like John 3:16 and “Jesus is emo”…’ Heazlewood’s performing nightly for Melbourne Fringe Festival until 10 October 2009. Catch him while you can.
I’m also looking forward to Attract/Repel, which is also a part of the Melbourne Fringe Festival. Written and directed by Ming-Zhu Hii, Attract/Repel examines race, identity, similarity and difference. Thanks Estelle for telling me about it.
One more plug and I swear I am done. EWF’s Reader is launching on Monday 12 October. For those of you who haven’t witnessed Dion Kagan’s spruiking, the Reader is a how-to for emerging writers (or at least that’s what I think it is):
The Reader is Steven Amsterdam on writers’ workshops, Clem Bastow on freelancing, Jen Breach on writing comics, Mel Campbell on pitching to editors, Kathy Charles on shameless self-promotion, Stephanie Convery on writing Black Saturday, Olivia Davis on fear and writing practices, Lisa Dempster on how much writers earn, Koraly Dimitriadis talks to Christos Tsiolkas, Caroline Hamilton compares writers’ festivals and music festivals, Stu Hatton on his mentorship with Dorothy Porter, Jane Hawtin discusses publishing academic research for a general audience, Andrew Hutchinson recalls the Emerging Writers’ Festival, Tiggy Johnson on parenthood and writing, Krissy Kneen on not writing about sex, Benjamin Law on failure, Angela Meyer reviews books for writers, Jennifer Mills on the politics of publishing and engaging with readers, Anthony Noack on good grammar, John Pace on re-drafting your screenplay, Ryan Paine on the role of the critic, Ben Pobjie on writing comedy, Robert Reid on the role of the contemporary playwright, Aden Rolfe on the emergentsia, Jenny Sinclair on the landscape of her book research, Chris Summers talks to Lally Katz about theatre writing, Mia Timpano on how to cultivate the ultimate author profile photo, Estelle Tang on Christopher Currie and blogging fiction, Simmone Michelle-Wells pens a letter to her younger self, Cameron White reviews alternatives to Microsoft Word. (Estelle Tang, 7 October 2009)
At sevenish, I’ll be heading down to get my copy at Bertha Brown. You go get your copy too.
Okay, back to hating the sound of my voice.