On God, the Creator of Buffyverse and all other good things

Sue Turnbull: How does it feel to be God?

Mr Whedon: [after boasting how good his mountains are] …I don’t believe in Me.

Joss Whedon is one of those comedic personalities with full-formed quips flying out of their mouths, and this Melbourne Writers Festival interview sounds scripted. Whedon knows how to work the dramatic pause, how to play the dunce, the megalomaniac, and the guy-next-door. And as he scores humour points with his audience, I’m thinking, ‘God, I hate You…even if you did create Dr Horrible’s Sing-Along Blog.’

Interviewer Sue Turnbull is a Buffy buff and many of the audience members are Whedon fans, so much of the introductory ramble which accompanies such events is excised. The interview makes quantum leaps from Buffy/Angel to Alien Resurrection to Dollhouse and Fray, as Turnbull tries to nut out a coherent trajectory of the screenwriter’s career.

As a child, Whedon ‘spent most of…[his] time creating science fiction universes rather than stories’. He moved onto studying film-making with the hopes of creating a huge summer blockbuster, instead of a Sundance movie. His excuse, stated rather proudly: ‘I’m a Star Wars guy.’

Screenwriting was a way to earn money after college. Despite having his father and grandfather in the TV screen-writing business, he tried to stay away from going ‘3GTV’. He confesses to being a snob back then. TV was dumb, ‘mostly Fantasy Island, and stuff you can’t excuse.’ While writing five spec scripts for five TV shows in the year before getting work, he realised that he had found the great love of his life.

Television writing is like ‘living with a story for years and years in a collaborative fashion’. ‘TV is special like that,’ Whedon notes, ‘something you don’t get in movies at all.’ Over the years, Buffy characters moved beyond the initial spark of life: Willow got cooler, Giles became more hip, and Anya went weird.

‘Buffy was very much a study in actors influencing their roles.’ The whole process can be very organic, and when it isn’t, when there’s too much creative control, the end result can feel stilted.

In many ways, Buffy was a special project for Whedon. During its broadcast, longform TV series evolved into a respectable genre, allowing its creator to tinker with the form. ‘Ultimately…the real pleasure in playing with the structure came later [during the series],’ Whedon admits, bringing to mind ‘Restless’ and ‘The Body’, two memorable later season episodes that were written and directed by the man himself.

Strangely enough, Buffy’s first season coincided with the launch of the internet, and Whedon and Turnbull discuss the then-fledgling phenomena. The internet community made small network shows like Buffy viable. ‘They invented the internet for me,’ Whedon jokes. ‘Now they use it for other things…porn…you know.’

They touch on Firefly and writing comics, before turning to writing methods. It’s dark, you can’t see much of the audience in the Melbourne Town Hall, but I’m guessing that the writers in the room are leaning forward. Turnbull asks whether Whedon circles around his work like a vulture?

‘I circle like a beautiful dove that wants to peck at the flesh of a dead man.’ Everything needs to be there before he can sit down and write. He works on the big scenes first, before joining the dots with exposition, etc.

Even though a lot of his work comments on social and cultural issues such as feminism and corporatisation, he writes with no particular grand theme or message in mind. It just doesn’t work that way. (Dang.) But he has always put up with a ‘social monkey on…[his] back’, even as a boy scribbling stuff that wasn’t going to be read by anyone else.

The interview wraps up with talk of the upcoming Avengers movie. Since the release of Spiderman (2002), Whedon has wanted to try his hand at making comic book adaptations, despite being always entangled in this or that project. When postmodern comic book movies such as Watchmen and Kick-Arse appeared, he lamented, fearing that it would be too  late to make an awesome but standard comic book movie. Hopefully, The Avengers will be a return to the original form.

After the interview, there are numerous intellectual questions on corporatisation, mental illness, and getting into the business of screenwriting. Many in the Town Hall have been one with the Whedon. But my favourite question comes from a true fan who just, like, wants to know what Mr Joss Whedon, God and Creator of Buffyverse and all other good things, yearns to be involved with. Whedon gushes, ‘Battlestar Galactica.’ And it’s geeks for the win.


Sing-Along blog: Joss Whedon

Because I can…

That was possibly the worst thing I’ve done for this blog, though I really should have a megalomaniac attitude like Joss Whedon and say that it was the bestest, awesomenest, coolest thing ever.

MWF 2010 Itineraries

Last month, I put up a MWF personality quiz, which you can do here if you haven’t already. I thought I’d follow up with some MWF 2010 itineraries for each of the personalities:

For more helpful MWF itineraries (and laffs), check out Sam Cooney’s ‘Hay everyone gess what?’.

*Already sold out.

**Magazine is a refurbished shipping container showcasing both new and established literary journals such as Overland, Going Down Swinging, The Lifted Brow, and Kill Your Darlings.

MWF Multiple Choice Quiz

Are you a Wannabe Writer? Or are you Too Cool for School? Maybe a Festival Virgin? Take Thuy Linh’s quiz to find out your MWF* punter personality**.

1) Other than the Melbourne Writers Festival, you like hanging out in the city because of its

a) literary events at the Wheeler Centre

b) high-end shopping

c) graffiti hotspots and laneway bars

d) free breakfast bar samples that they give out at Melbourne Central Station

e) City Circle Tram

2) When you picked up your copy of the Melbourne Writers Festival 2010 Program, the first page you flipped to was

a) page 25 – Workshops

b)  page 13 – Food and Wine

c) page 8 – Music and Performance

d) page 6 – Free at the Festival

e) page 3 – Welcome

3) On page 5, you find out that Joss Whedon is coming to MWF, so you

a) wonder if he will have any writerly advice to impart.

b) buy tickets and book a dinner at Flower Drum before the event.

c) smirk because you heard about Joss via Twitter like an ice age ago!

d) put your beloved Macquarie on eBay. You love your Macquarie, but you love Joss Whedon more.

e) turn up at the wrong event.

4) On page 12 of the program, you notice that Peter Temple has won the Miles Franklin for his novel Truth. The first thing that pops into you head is:

a) ‘Where’s my pen? I’m inspired.’

b) ‘I should buy that from Readings. Or an iPad. Or maybe an eBook version of Truth and an iPad.’

c) ‘Pfft. Awards are for lemmings.’

d) ‘I hope my library stocks that.’

e) ‘Is Peter Temple a Masterchef contestant?’

5) You’re attending/not attending the pre-MWF-festival event with Bret Easton Ellis because

a) his books are some of the finest examples of postmodern literature

b) it only costs $20

c) he’s a rockstar

d) it costs $20

e) you didn’t realise it would sell out until it sold out


If you’ve answered mainly

  • As, then you’re a Wannabe Writer. The Wannabe Writer attends writing workshops and correcting other people’s spelling and/or grammar. In fact, you’re correcting my grammar right now.
  • Bs, then you’re a Cash Cow. All the other personality types will be trying to milk you for the entirety of the festival.
  • Cs, then you’re Too Cool for School and own that Threadless Tee, ‘I Listen to Bands That Don’t Even Exist Yet’. <insert cool exclamation here>
  • Ds, then you’re a Centrelink Bum. You have three bucks in your bank account to last you until next Thursday, making you fully appreciate the free things in life.
  • Es, then you’re a Festival Virgin. (Awww. We were all virgins once.)

*If you’re wondering what MWF stands for, congratulations. You’re Personality Type E, Festival Virgin.

**No stereotypes were harmed in the making of this post.

No, I’m not Estelle Tang, but I will be blogging about MWF 2010

While I was unable to make it to the subscribers’ launch of the MWF 2010 Program on Wednesday, I did make it to the media launch on Thursday at Tjanabi, Federation Square. As is customary with such events, speeches did not start at once, and we were left to make friends for ourselves. After I told Matt from MyStory that I was blogging for MWF 2010, he complimented me on my profile shot. Five seconds later, I came up with, ‘Oh, that’s the other Asian blogger.’ Oops. Sorry Estelle.

Yep, I have been asked to blog about MWF 2010. Others joining me will include Andy Murdoch, Lisa Dempster, Robbie Coleman, Duncan Felton, Sam Cooney, Brad Dunn, and Kathy Charles. We won’t be on the official blog with Angela Meyer, Estelle Tang, and Simon Keck (aka ‘that guy with the pencils in his mouth’), but we’ll be out in force, bringing you the dirt.

For instance, have you been reading your Twitter feeds? JOSS WHEDON is keynoting for MWF 2010, and tickets are selling fast. Will it sell out before the actual program hits the streets? Who knows? And who would have thought Frank Moorhouse could be so adorable? His words at the launch in regards to an older generation of writers and public speaking: ‘We were so nervous, we were often drunk.’ Awwww.