For those of you who haven’t already heard, Bel Monypenny is leaving Voiceworks and Missionary is her last issue as editor. Having only recently rediscovered Voiceworks, I am ill-equipped on comparing Monypenny with past Voiceworks editors, but Literary Minded describes her as ‘steer[ing] a less-showy ship, still understandably finding its path’ and choosing work that is ‘happily not as abrupt as pieces have been under previous editorship’ (24/6/09).
Missionary fits this description. The cover is a sleek black, white, and orange; the words inside are quiet yet articulate, barring the few shouts like ‘In the Name of the Father’ by Chancier Blame and ‘We’re Not That Bad?’ by Liam Wood.
Like its predecessor, Classic, Missionary has a strong selection of non-fiction and regular columns, and I found myself preferring these to the rest of the content. While fiction’s grasp on the theme seems tenuous at times—’Forrest Hump, Full Metal Jack-off, Missionary Impossible’ (Christopher Glenn’s ‘Typewriter: a Story in Four Parts’)—non-fiction seizes upon the religious, the ritualistic, the moral, and the ethical and plays rough like the Spanish Inquisition.
In ‘Videogames: a Virtual (and Violent) Reality’, Giles Fielke discusses how video games preach rule-breaking and the irrelevance of ethics, citing Rapeplay as an example (see Virgule’s excepts here). Liam Wood writes introspectively about being a white, middle-class tourist in Leonora, a (post) colonial frontier in WA. Claire Marshall recounts ritualistic shopping and the guilt that ensues at Arthur Daley’s Clearance House. These and other pieces are competently engaging like much of the fiction and poetry.
But it is Joseph Brennan’s ‘Not Before Dinner’ that eclipses all. Through prose bordering on poetic, Brennan replicates the reverence surrounding a dinner at Berowra Waters Inn, something that later is revealed as being quite ordinary. It’s a beautiful piece that marries fact with techniques borrowed from fiction and poetry, something that is often attempted but not always successful.
Overall, Missionary looks smart and its non-fiction is smart. It could have been smarter with more adventurous fiction/poetry cohabiting its pages, more of ‘In the Name of the Father’ which is full of contradictions like one particular religious text, but that would be bordering on miraculously smart and I am not one for miracles. Is it worth the eight dollars I paid for it? Hell, yeah.‘Missionary’ is available at the usual independent bookstores or you can subscribe to Voiceworks at their website here.