Review: Peril Edition Eight

I’ve finally sat down and read ‘Why are people so unkind?’, Peril’s latest issue. For those of you who haven’t heard of the journal, Peril is an Asian Australian online journal on arts and culture run by the likes of Hoa Pham, Lian Low, and Tom Cho. It’s a bit patchy at times with editors choosing pieces that reflect the Asian-Australian experience over more polished prose. With the eighth issue, however, it seems that they’re finally finding a balance between the two. ‘Teh Halia’, a prose piece about an Indian daughter’s regret over cups of her father’s ginger tea, is touching and carefully observed, moving beyond ethnic literature into something more universal.

The non-fiction was particularly strong in this issue with many pieces focusing on gender identity: Owen Leong interviews two Japanese artists who both explore gender in differing ways, while Lian Low speaks to The Ladies of Colour Agency about sexuality, whiteness in political movements, and genderfucking. Benjamin Law’s article on Asian-American conservative Michelle Malkin is perversely entertaining:

…Malkin seems quite attractive. Even as a homosexual myself, I cannot take my eyes off her, partly because Malkin’s pretty, and partly because there’s some gland inside me that reacts to seeing an Asian—any Asian—with a broadcast media platform. It’s this same gland in me that’s triggered off whenever I see Penny Wong on The 7.30 Report, or old footage of John So cutting a ribbon in Melbourne, or watching Poh being interviewed on Masterchef.

There’s also a couple of opinion pieces on Indian-Australian relations from Amrita Dasvarma and Angela Dewan, discussing the ubiquitous exploitation of overseas students, and the pressure to assimilate as a migrant, as well as an interview with Kamal.

It’s hard to choose a favourite from such a strong collection, but Lily Chan’s poem resonated with me the most: ‘in my head i was scout finch / elizabeth bennet / nancy drew / stepped back, startled / from my own reflection’. In a few lines, Chan encapsulates an Asian-Australian girl’s experience: feeling white, being attracted to white boys, experiencing ambivalence to Pauline Hanson and guilt for having it ‘good’ compared to her brother. I’m looking forward to reading more of her work.

Peril’s next endeavour will be about ‘creatures’, and I’m curious to see how this theme will be interpreted in an Asian-Australian context. For those of you who feel like submitting to Issue Nine, check out the journal’s submission page, here.

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